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The complete paintings of Titian, 430 ; Cristo flagellato, Galleria Borghese (Italian) Bildindex der Kunst und Architektur PID: 0000237108 ; Smartify artwork ID: titian-the-scourging-of-christ ; Bildindex der Kunst und Architektur ID (deprecated): 08014272 ; Source/Photographer: Web Gallery of Art: Image Info about artwork
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art , in cycles of the Passion or the larger subject of the Life of Christ .
Hope's observation is an extension from Vasari's criticism. While Bohde explains that "muddy colours" and the physicality of the figures makes the composition of Titian's Annunciation so good. Bohde says, "Titian’s painting ultimately deals with the transformation of the immaterial into the material, which is the core of the incarnation theme ...
Christ and the Adulteress (Titian, Glasgow) Christ and the Adulteress (Titian, Vienna) Christ Appearing to his Mother after his Resurrection; Christ Carrying the Cross (Titian) The Crowning with Thorns (Titian, Munich) The Crowning with Thorns (Titian, Paris) Crucifixion (Titian)
Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter is an oil painting on canvas by Titian, now in the Royal Museum of Fine Arts in Antwerp.. It was commissioned by Bishop Jacopo Pesaro (b. 1460) as an ex-voto for the Venetian naval victory leading to the retaking of Santa Maura from the Ottoman Turks in August 1502, a rare victory in the Ottoman–Venetian War (1499–1503 ...
Titian made several other paintings depicting the same subject, including a similar version of 1572 given as a gift to Antonio Pérez and now also in the Prado, and an earlier version of c.1520 made for the Duke of Mantua and now in the Louvre. The painting is the second of this subject commissioned from Titian by Philip II of Spain.
Christ Carrying the Cross (also Ecce Homo) is an oil painting attributed to either Titian or Giorgione. It is dated to about 1505. The painting is housed in the Scuola Grande di San Rocco in Venice, Italy. [1] There are several later versions of the subject by Titian.
She looks to Heaven, with a tearful expression. The background is very dark, specially at the left. The darkening sky, at the right, shows a tree that seems to be facing the wind. Unlike his 1531 version of the same subject, Titian has covered Mary's nudity and introduced a vase, an open book and a skull as a memento mori. Its colouring is more ...