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Jul. 12—A century-old, cast iron statue of the Virgin Mary that once provided inspiration to Roman Catholic worshipers at Immaculate Conception Church now stands as the artistic and spiritual ...
The original Ecclesia and Synagoga from the portal of Strasbourg Cathedral, now in the museum and replaced by replicas. Ecclesia and Synagoga, or Ecclesia et Synagoga in Latin, meaning "Church and Synagogue" (the order sometimes reversed), are a pair of figures personifying the Church and the Jewish synagogue, that is to say Judaism, found in medieval Christian art.
Woodcut of 1563 from the Protestant Foxe's Book of Martyrs showing the destruction of Catholic images in the upper portion. Edward VI, whom Cranmer charged to emulate Josiah's purging of the Temple, [1] is shown enthroned in lower left, while a Reformed church service according to the Book of Common Prayer takes place in the lower right.
Gallery of the Statues (Galleria delle Statue): as its name implies, holds various important statues, including Sleeping Ariadne and the bust of Menander. It also contains the Barberini Candelabra. [23] Gallery of the Busts (Galleria dei Busti) Many ancient busts are displayed. Cabinet of the Masks (Gabinetto delle Maschere).
Church pressure to restrain religious imagery affected art from the 1530s and resulted in the decrees of the final session of the Council of Trent in 1563 including short and rather inexplicit passages concerning religious images, which were to have great impact on the development of Catholic art. Previous Catholic Church councils had rarely ...
This area contains the stained-glass windows, pews, altar, and other artifacts from St. Peter's Church, a Catholic parish of the Diocese that was closed in the 1970s. Two of the original bells of the church are also held by the museum, with the third having been stolen before the church's demolition in May 1970. [28]
The tears that statues appear to weep are actually beads of condensation accounted for by the statue being made from material of varying density, with condensation forming on the denser (colder) pieces (in this case the eyes). A number of weeping statues have been declared fake by Catholic church officials. [6] [7] [8] [9]
The significance of the Lenten shrouds has been explained in a variety of ways. [7] The French liturgist Prosper Guéranger explained that "the ceremony of veiling the Crucifix, during Passiontide, expresses the humiliation, to which our Saviour subjected himself, of hiding himself when the Jews threatened to stone him, as is related in the Gospel of Passion Sunday".
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