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Atlanta Rhythm Section discography consists of 13 studio albums, six compilation albums, two live albums, and 15 singles. Albums. Studio albums. List of albums, with ...
The eighth Atlanta Rhythm Section album, Underdog, was released in June 1979 and produced Top 20 hits "Do It or Die" (#19) and "Spooky" (#17), a remake of Cobb's and Buie's 1968 Classics IV hit. Early in 1979, drummer Robert Nix, the group's primary lyricist, had a falling out with manager/producer Buie over the group's musical direction. Nix ...
Third Annual Pipe Dream is the third album by the Southern rock band Atlanta Rhythm Section, released in 1974. The band scored their first Top 40 hit with "Doraville", peaking at #35. The band scored their first Top 40 hit with "Doraville", peaking at #35.
Dog Days is an album by the Southern rock band Atlanta Rhythm Section, released in 1975. The title single reached #49 on the Canadian pop charts and #43 on the AC charts. The title single reached #49 on the Canadian pop charts and #43 on the AC charts.
Atlanta Rhythm Section discography This page was last edited on 4 October 2021, at 22:18 (UTC). Text is available under the Creative Commons Attribution ...
Atlanta Rhythm Section in 1977. Atlanta Rhythm Section (ARS) is an American Southern rock band from Doraville, Georgia. Formed in the summer of 1971, the group originally featured vocalist Rodney Justo, guitarist Barry Bailey, bassist Paul Goddard, keyboardist Dean Daughtry and drummer Robert Nix. The band's current lineup includes Daughtry ...
Atlanta Rhythm Section is the 1972 first album by the American Southern rock band Atlanta Rhythm Section. [2] It was released on the Decca label, DL-75265. [3] It was produced by Buddy Buie, and is currently the group's only album to feature original lead vocalist Rodney Justo.
Champagne Jam is an album by the American band Atlanta Rhythm Section, released in 1978. The single " Imaginary Lover " was the band's second Top 10 hit, peaking at #7 in the U.S. and #9 in Canada. The album itself was the band's most commercially successful, peaking at number 7 on the Billboard 200 .