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It is carried by an even number of bearers (between two and eight, but most commonly four) on their shoulders, by means of a pole projecting fore and aft. [2] [3] [4] The word is derived from the Sanskrit palyanka, meaning bed or couch. The Malay and Javanese form is palangki, in Hindi and Bengali, palki, in Telugu pallaki.
A coach is a large, closed, four-wheeled, passenger-carrying vehicle or carriage usually drawn by two or more horses controlled by a coachman, a postilion, or both. A coach has doors in its sides and a front and a back seat inside. The driver has a raised seat in front of the carriage to allow better vision.
Coach of a noble family, c. 1870 The word carriage (abbreviated carr or cge) is from Old Northern French cariage, to carry in a vehicle. [3] The word car, then meaning a kind of two-wheeled cart for goods, also came from Old Northern French about the beginning of the 14th century [3] (probably derived from the Late Latin carro, a car [4]); it is also used for railway carriages and in the US ...
A five-glass landau carriage in Geraz do Lima Carriage museum. A landau, drawn by a pair or four-in-hand, is one of several kinds of vis-à-vis, a social carriage with facing seats over a dropped footwell (illustration), which was perfected by the mid-19th century in the form of a swept base that flowed in a single curve.
A barouche is a large, open, four-wheeled carriage, both heavy and luxurious, drawn by two horses. It was fashionable throughout the 19th century. Its body provides seats for four passengers, two back-seat passengers vis-à-vis two behind the coachman's high box-seat. A leather roof can be raised to give back-seat passengers some protection ...
It is a light, four-wheeled vehicle, usually drawn by a single horse and with seats for four or more passengers. Chaise: A light two- or four-wheeled traveling or pleasure carriage, with a folding hood or calash top for one or two people. Charabanc: A larger wagon pulled by multiple horses.
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Hand-pulled rickshaws became an embarrassment to modernizing urban elites in the Third World, and were widely banned, in part because they were symbolic, not of modernity, but of a feudal world of openly marked class distinctions. Perhaps the seated rickshaw passenger is too close to the back of the laboring driver, who, besides, is ...