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James William Chappell (born in Michigan in 1955), [1] professionally known as Jim Chappell, is an American New Age and jazz pianist. During the late 1980s and early 1990s, Chappell placed five albums in the Top Twenty of Billboard 's Top New Age Albums chart, and placed another album in the Top Twenty of their Top Contemporary Jazz Albums chart.
Chappell & Co. was an English company that published music and manufactured pianos.Founded by pianist Samuel Chappell, the company was one of the leading music publishers and piano manufacturers in Britain until 1980 when Chappell sold its retail activities to concentrate solely on music publishing.
The piece, named "Father's Song", was later recorded by Prince after "Computer Blue" in October of 1983. This first version was filled with piano and synthesizers with drums, but after overdubs were completed, it was dropped and replaced by a solo piano version in February of 1984 for use in the movie.
The company, founded in 1811 as Chappell & Co., was a British music publishing company and instrument shop in Bond Street, London, that specialised in piano manufacturing. [3] In 1929, Warner Bros. acquired M. Witmark & Sons, Remick Music Corporation and Harms, Inc. [4] Tamerlane Music (affiliated with Valiant Records) was acquired in 1969. [5]
Jim Reeves, a crooner that stood at the intersection of country and pop, died in Nashville on Friday, July 31, 1964 alongside his manager and pianist, Dean Manuel. ... Reeves, 39, and his piano ...
[4] [5] During its run, artists released under the record company included Jim Chappell, [6] [7] Kenneth Nash, [8] Chris Spheeris, [9] and Øystein Sevåg. [10] According to Gary Chappell, the manufacturer for Music West, the artists originated independently, claiming that the company's idea "has a statement that comes directly from the artist ...
The song opens with production consisting of strings [5] [6] and piano, [7] as Chappell Roan reflects on an ex-partner who could not satisfy her. [ 7 ] [ 6 ] [ 8 ] Before each chorus, she gradually increases the melodrama in tone and demands for a song to be played "with a fucking beat".
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