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  2. A Valediction: Forbidding Mourning - Wikipedia

    en.wikipedia.org/wiki/A_Valediction:_Forbidding...

    "A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe , "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets , two years after Donne's death.

  3. Death Be Not Proud - Wikipedia

    en.wikipedia.org/wiki/Death_Be_Not_Proud

    "Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.

  4. John Donne - Wikipedia

    en.wikipedia.org/wiki/John_Donne

    On their 1992 album Duality, the English Neoclassical dark wave band In the Nursery used a recitation of the entirety of Donne's "A Valediction: Forbidding Mourning" for the track "Mecciano" [58] and an augmented version of "A Fever" for the track "Corruption." [59] Prose texts by Donne have also been set to music.

  5. Category:Poetry by John Donne - Wikipedia

    en.wikipedia.org/wiki/Category:Poetry_by_John_Donne

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  6. Category:1611 poems - Wikipedia

    en.wikipedia.org/wiki/Category:1611_poems

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  7. Category:1612 poems - Wikipedia

    en.wikipedia.org/wiki/Category:1612_poems

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  8. 1654 in poetry - Wikipedia

    en.wikipedia.org/wiki/1654_in_poetry

    The Harmonie of the Muses; Or, The Gentlemans and Ladies Choisest Recreation, an anthology from nine contributors; includes several by John Donne, "Elegy XVII" (here titled "Loves Progress by Dr Don) and "Elegy XIX: To His Mistress Going to Bed" (here titled "An Elegie made by J.D."), as well as Donne's "A Valediction: forbidding Mourning ...

  9. Batter my heart, three-person'd God - Wikipedia

    en.wikipedia.org/wiki/Batter_my_heart,_three...

    There is no scholarly consensus regarding the structure of Holy Sonnet XIV; different critics refer to particular parts of this poem either as an octave and a sestet (following the style of the Petrarchan sonnet, with a prominent example being Robert H. Ray's argument [4]), three quatrains and a couplet (the division established by the English sonnet, an example being an article by ...