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Amor Vincit Omnia ("Love Conquers All") in Latin, known in English by a variety of names including Amor Victorious, Victorious Cupid, Love Triumphant, Love Victorious, or Earthly Love is a painting by the Italian Baroque artist Caravaggio. Amor Vincit Omnia shows Amor, the Roman Cupid, wearing dark eagle wings, half-sitting on or climbing down ...
Location. Uffizi, Florence. Primavera (Italian pronunciation: [primaˈvɛːra], meaning "Spring") is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s (datings vary). It has been described as "one of the most written about, and most controversial paintings in the ...
The Last Supper. The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
Divine Love Conquering Earthly Love is an oil on canvas painting dating to 1602–1603, that is now held in the collection of the Galleria Nazionale d'Arte Antica in Palazzo Barberini, Rome. It was painted by Italian painter Giovanni Baglione. It is the second version that Baglione painted of this subject; the first version is now in the ...
Samson and Delilah is a painting long attributed to the Flemish Baroque artist Peter Paul Rubens (1577–1640) in the National Gallery, London. It dates from about 1609 to 1610. Two preliminary copies of the painting exist today: an ink-and-wash drawing on paper, and an oil sketch on wood panel. The oil sketch is in the Cincinnati Art Museum ...
Love and Psyche or Cupid and Psyche is an 1817 painting by Jacques-Louis David, now in the Cleveland Museum of Art. It shows Cupid and Psyche. It was produced during David's exile in Brussels, [1] for the patron and collector Gian Battista Sommariva. [2][3] On its first exhibition at the museum in Brussels, it surprised viewers with its realist ...
Bacchus (c. 1596) is an oil painting by Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610) commissioned by Cardinal Del Monte. The painting shows a youthful Bacchus reclining in classical fashion with grapes and vine leaves in his hair, fingering the drawstring of his loosely draped robe. On a stone table in front of him is ...
The two paintings on the wall are also significant. The lower painting is of a stormy sea, a metaphor for tempestuous love. [citation needed] Above it is a landscape painting of a traveler on a sandy road. This may refer to the absence of the man who is writing to the lady. [2] Love Letter remains the only one of Vermeer's works to incorporate ...
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