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This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
Lord Byron (1788–1824) used multisyllabic rhymes in his satiric poem Don Juan. For example, he rhymes "intellectual" with "hen-peck'd you all". Ogden Nash (1902–1971) used multisyllabic rhymes in a comic, satirical way, as is common in traditional comic poetry. [4] For example, in his poem ‘The Axolotl’ he rhymes "axolotl" with ...
[6] Chad Grischow of IGN wrote, "Brown tries his hand at rapping on the out-of-place 'Look at Me Now', and is left in the dust by Lil Wayne and, suddenly resurgent, Busta Rhymes." [ 8 ] Staff members of Idolator criticized Brown for trying to sound like a second-class Soulja Boy Tell 'Em and praised Busta Rhymes' "razor sharp verse" as the song ...
A video of an Atlanta teacher's first day of school went viral after she delivered a superior performance of a Busta Rhymes rap, which the hip-hop icon himself couldn't help but applaud.
"Calm Down" is a hip hop song. It features two lengthy verses by each rapper, both preceded by a chorus. The instrumental is produced by Scoop DeVille and is based around a sample of the introductory horns from the 1992 House of Pain song "Jump Around" (which themselves are taken from Bob & Earl's 1963 track "Harlem Shuffle").
[7] Myka 9 adds, "back in the day, freestyle was bust[ing] a rhyme about any random thing, and it was a written rhyme or something memorized". [6] Divine Styler says: "in the school I come from, freestyling was a non-conceptual written rhyme... and now they call freestyling off the top of the head, so the era I come from, it's a lot different". [8]
Rhymes' music was highly successful throughout the 2000s, [40] and his unorthodox style is considered by some to be one of the most significant developments in the style in recent times. [39] The 21st century has seen chopper rap spread from its roots in the Midwest and in New York around the world of hip hop.
Dan Cairns of The Sunday Times has described "The Message"'s musical innovation: "Where it was inarguably innovative, was in slowing the beat right down, and opening up space in the instrumentation—the music isn't so much hip-hop as noirish, nightmarish slow-funk, stifling and claustrophobic, with electro, dub and disco also jostling for room in the genre mix—and thereby letting the lyrics ...