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All Out War reunited in 2006, [5] and released their fourth album Assassins in the House of God (2007). By early 2008 the band had left Victory Records. [ 6 ] However, by early 2010, All Out War had returned to the record label and recorded Into the Killing Fields , which was released in August 2010.
All Out War may refer to: All Out War (band), an American hardcore band; All Out War, a 2016 book by Tim Shipman; All Out War, a 2012 album by Incite; All-Out War, a DC Comics publication; All Out War, the title of the 20th and 21st volumes of The Walking Dead comic book series; All Out War, the 1992 debut EP by Earth Crisis
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The band embarked on a number of tours across the United States, supporting such bands as All Out War, Dying Fetus, Napalm Death - as well as opening for world-renowned acts Alice Cooper and The Cult. In the spring of 2002, Diecast secured the opening slot for the Slayer "God Hates Us All" tour. Upon completion of the tour, the band decided to ...
The band toured constantly before releasing their second album Refresh, Renew on Facedown Records. With the heavier sound from the Refresh, Renew album, the band toured with the likes of H 2 O, All Out War, Throwdown, No Innocent Victim (Southern California neighbors with whom they perform often), among many others, quickly gaining fan support ...
Carl's pending death deviates significantly from the comic book series, as, at the time of airing, both Carl and Rick were still alive in the comic's published arc, with Carl having a critical role in the Whisperers arc that follows the "All Out War" narrative. Some have said that Carl's pending death is the largest deviation that the ...
Vein.fm (formerly known as Vein) is an American metalcore band from Boston that formed in 2013. They are known for their frequent tours and have performed shows with groups such as Code Orange [1] and Twitching Tongues while in Europe. [2]
Writing for Pitchfork, Stephen Thomas Erlewine scored this release a 7.4 out of 10, calling War's folk punk on this album "a more expansive, considered sound, blending various strains of American roots music into a quietly idiosyncratic style" and praising the emotionality, humor, and mix of "wry reticence and bruised confession" in the lyrics. [1]