Search results
Results from the WOW.Com Content Network
Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri. It was soon reprinted in the Kansas City Times and the Kansas City Bar Bulletin. [1]: 426 [2] Harner earned a degree in industrial journalism and clothing design at Kansas State University. [3] Several of her other poems were published and ...
Such was the popular mood (remember the queues across the bridges near Westminster Abbey) that the words of the poem, so plain as scarcely to be poetic, seemed to strike a chord. Not since Auden's 'Stop All the Clocks' in the film Four Weddings and a Funeral had a piece of funerary verse made such an impression on the nation. In the days ...
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
Matthew Joseph Thaddeus Stepanek (July 17, 1990 – June 22, 2004), known as Mattie J.T. Stepanek, was an American poet (or, as he wanted to be remembered, "a poet, a peacemaker, and a philosopher who played") [2] who published seven best-selling books of poetry and peace essays.
Priscilla Presley John Amis/AP/Shutterstock Forever in their hearts. During Lisa Marie Presley’s Sunday, January 22, memorial service, mother Priscilla Presley remembered her legacy with a sweet ...
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
It was set to music by John S. Fearis, who had purchased the poem for five dollars, and the song was published in 1897. In 1901, the song was sung by a quartet of young ladies at the beginning of McKinley's funeral in the First Methodist Episcopal Church in his hometown of Canton, Ohio. [3] [4] [2] [5]
The poem was published posthumously in 1890 in Poems: Series 1, a collection of Dickinson's poems assembled and edited by her friends Mabel Loomis Todd and Thomas Wentworth Higginson. The poem was published under the title "The Chariot". It is composed in six quatrains in common metre.