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Lucila Godoy Alcayaga (Latin American Spanish: [luˈsila ɣoˈðoj alkaˈʝaɣa]; 7 April 1889 – 10 January 1957), known by her pseudonym Gabriela Mistral (Spanish: [ɡaˈβɾjela misˈtɾal]), was a Chilean poet-diplomat, educator, and Catholic.
Sonetos de la Muerte (Sonnets of Death) is a work by the Chilean poet Gabriela Mistral, first published in 1914. She used a nom de plume as she feared that she may have lost her job as a teacher. [1] The work was awarded first prize in the Juegos Florales, a national literary contest.
The 1945 Nobel Prize in Literature was awarded to the Chilean poet Gabriela Mistral (1889–1957) "for her lyric poetry, which inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world." [1] [2] She is the fifth female and first Latin American recipient of the literature prize. [3 ...
The Chilean poetess Lucila Godoy Alcayaga, 1945 Nobel Prize in Literature, took the first name of her pseudonym, Gabriela Mistral, in his honour. The play Tamara is based on his meeting with the painter Tamara de Lempicka. Luchino Visconti's last film, The Innocent, is based on D'Annunzio's novel.
He was awarded the Nobel Prize for Literature in 1982, mostly for his masterpiece Cien años de soledad (1967; One Hundred Years of Solitude). He was the fourth Latin American to be so honored, having been preceded by Chilean poets Gabriela Mistral in 1945 and Pablo Neruda in 1971 and by Guatemalan novelist Miguel Ángel Asturias in 1967.
He would also follow in Mistral’s footsteps when he won the Nobel Prize in Literature in 1971, [2] 26 years after Mistral herself had won the highest honor in literature in 1945. [3] In contrast to this tenuous link, the relationship between Huidobro, De Rokha and Neruda was one of the most persistent rivalries in Chilean cultural history.
Stephanie Arcila as Gabriela Perez. Sergei Bachlakov/CBS Outfitting the cast of Fire Country is no small feat, but costume designer Sara Byblow was up for the challenge — especially when it came ...
In 2006, Dana died and left behind what is known as el legado, or the legacy, an archive of Mistral's unpublished manuscripts, letters, taped recordings of poems, and photographs of Dana and Mistral. Many of the letters left in this archive were published by the University of New Mexico in 2018 in the book Gabriela Mistral's Letters to Doris Dana.
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