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The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
Morning dress, also known as formal day dress, is the formal Western dress code for day attire, [1] consisting chiefly of a morning coat, waistcoat, and formal trousers for men, and an appropriate gown for women.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
Waistcoats are popular within the indie and steampunk subcultures in the United States. [13] Vests are often worn both open or closed, over dress shirts and even t-shirts. Non-formal types of waistcoat have been used in workers uniforms, such as at Walmart prior to 2007, [14] and as high-visibility clothing (usually the bright "safety orange ...
The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678 . Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
Women's clothing styles maintained an emphasis on the conical shape of the torso while the shape of the skirts changed throughout the period. The wide panniers (holding the skirts out at the side) for the most part disappeared by 1780 for all but the most formal court functions, and false rumps (bum-pads or hip-pads) were worn for a time.
For women's dress, the day-to-day outfit of the skirt and jacket style were practical and tactful, recalling the working-class woman. [3] Women's fashions followed classical ideals, and stiffly boned stays were abandoned in favor of softer, less boned corsets. [4] This natural figure was emphasized by being able to see the body beneath the ...
"The men wear a coarse woollen cloth of a sky blue colour for coat, breeches, and waistcoat, with worsted stockings of the same colour; through in Radnorshire the colour is a drab. Even many of the clergy are so prejudiced in favour of their paternal dress, that they despise a sable havit, and retain the country clothing" [20] (1827)
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