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  2. Loudspeaker time alignment - Wikipedia

    en.wikipedia.org/wiki/Loudspeaker_time_alignment

    For most purposes the tilted lobe poses no problems and indeed many speaker systems do not use time alignment. However, there is a type of crossover called the LR4 or LR2 crossover, which has certain unique features that make time-alignment worthwhile for speakers that use it. This particular crossover has the property that at the crossover ...

  3. Audio crossover - Wikipedia

    en.wikipedia.org/wiki/Audio_crossover

    Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal. Such a goal is often achieved using non-ideal, asymmetric crossover filter characteristics. [5] Many different crossover types are used in audio, but they generally belong to one of the following classes.

  4. Bi-amping and tri-amping - Wikipedia

    en.wikipedia.org/wiki/Bi-amping_and_tri-amping

    Bi-amping - An active crossover with two amplifiers.. Bi-amping and tri-amping is the practice of using two or three audio amplifiers respectively to amplify different audio frequency ranges, with the amplified signals being routed to different speaker drivers, such as woofers, subwoofers and tweeters.

  5. Midwoofer-tweeter-midwoofer - Wikipedia

    en.wikipedia.org/wiki/Midwoofer-tweeter-midwoofer

    The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]

  6. Sound reinforcement system - Wikipedia

    en.wikipedia.org/wiki/Sound_reinforcement_system

    Using a crossover to separate the sound into low, middle and high frequencies can lead to a "cleaner", clearer sound (see bi-amplification) than routing all of the frequencies through a single full-range speaker system. Nevertheless, many small venues still use a single full-range speaker system, as it is easier to set up and less expensive.

  7. Acoustic lobing - Wikipedia

    en.wikipedia.org/wiki/Acoustic_lobing

    Acoustic lobing refers to the radiation pattern of a combination of two or more loudspeaker drivers at a certain frequency, as seen looking at the speaker from its side.In most multi-way speakers, it is at the crossover frequency that the effects of lobing are of greatest concern, since this determines how well the speaker preserves the tonality of the original recorded content.

  8. Loudspeaker - Wikipedia

    en.wikipedia.org/wiki/Loudspeaker

    A loudspeaker (commonly referred to as a speaker or, more fully, a speaker system) is a combination of one or more speaker drivers, an enclosure, and electrical connections (possibly including a crossover network). The speaker driver is an electroacoustic transducer [1]: 597 that converts an electrical audio signal into a corresponding sound. [2]

  9. Linkwitz–Riley filter - Wikipedia

    en.wikipedia.org/wiki/Linkwitz–Riley_filter

    This is the biggest advantage of L-R crossovers compared to even-order Butterworth crossovers, whose summed output has a +3 dB peak around the crossover frequency. Since cascading two n th -order Butterworth filters will give a (2 n ) th -order Linkwitz–Riley filter, theoretically any (2 n ) th -order Linkwitz–Riley crossover can be designed.

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