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Sprechgesang (German: [ˈʃpʁɛçɡəzaŋ] ⓘ, "spoken singing") and Sprechstimme (German: [ˈʃpʁɛçʃtɪmə], "spoken voice"), more commonly known as speak-singing in English, are expressionist musical vocal techniques between singing and speaking.
While training on proper speaking had been an important part of private education for many centuries, the rise in the nineteenth century of a middle class in Western countries (and the corresponding rise of public education) led to great interest in the teaching of elocution, and it became a staple of the school curriculum.
Voice projection is the strength of speaking or singing whereby the human voice is used powerfully and clearly. It is a technique employed to command respect and attention, such as when a teacher talks to a class, or simply to be heard clearly, as used by an actor in a theatre or during drill. Breath technique is essential for proper voice ...
It is used in the teaching of singing and assists in defining what singing is, how singing works, and how singing technique is accomplished. Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical ...
The system was established in 1988 [3] by American singing voice specialist Jo Estill, [4] who had been researching in this field since 1979. [ 5 ] [ 6 ] Estill's research led to a series of vocal manoeuvres to develop specific control over individual muscle groups within the vocal mechanism.
Both types of resonance are at work in the human voice during speaking and singing. Much of the vibration felt by singers while singing is a result of forced resonance. The waves originated by the airflow modulated by the vibrating vocal folds travel along the bones, cartilages, and muscles of the neck, head, and upper chest, causing them to ...
Articulatory gestures are the actions necessary to enunciate language. Examples of articulatory gestures are the hand movements necessary to enunciate sign language and the mouth movements of speech. In semiotic terms, these are the physical embodiment (signifiers) of speech signs, which are gestural by nature (see below).
Speaking at approximately 120-150 words per minute (wpm) is a moderate pace for an audience to comprehend information. [7] A varying speaking rate can engage the interest and attention of the audience. A fast tempo creates a mood of tension and swiftness. The message conveyed to the audience can be interpreted as an urgent or a light-hearted ...
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