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Embroidery hoops come in various sizes and are generally small enough to control with one hand and rest in the lap. Hoops were originally made of wood, bone, or ivory; [1] modern hoops are made of wood or plastic. [2] Hoops may be attached to a table-top or floor stand when both hands must be free for sewing, as in making tambour lace. Standing ...
The Embroidery Software Protection Coalition (ESPC) was a United States embroidery industry trade group. Its primary activity was the investigation and prosecution of alleged acts of copyright infringement. The group drew media attention for its campaign of settlement demands against individual buyers as well as sellers of embroidery patterns ...
Tubular embroidery machines: Designed for embroidering tubular items such as caps, sleeves, and bags. They often come with specialized hoops and cap frames. Flat embroidery machines: Designed for flat items like fabric rolls, sheets, and large panels. They provide a large embroidery area and are used in home décor, large garments, and banners.
The song is about a man who has sought the American dream, but was foiled by the Great Depression.He is the universal everyman who holds various professions, being a farmer and a construction worker as well as a veteran of World War I: it is intended to embrace all listeners.
David William Sime (/ s ɪ m /; July 25, 1936 – January 12, 2016) was an American sprinter, multi-sport athlete at Duke University, and a pioneering ophthalmologist.He won a silver medal in the 100-meter dash (photo finish) at the 1960 Olympic Games, and held several sprint records during the late 1950s.
The Lucky Dime Caper Starring Donald Duck [a] is a 1991 platform game developed and published by Sega for the Game Gear and Master System. The player controls Donald Duck as he attempts to retrieve the Number One Dime from Magica De Spell. Another game featuring Donald Duck for the Game Gear and Master System, Deep Duck Trouble, was released in ...
Brother, Can You Spare a Dime? is a 1975 documentary film directed by Philippe Mora, [4] consisting largely of newsreel footage and contemporary film clips [5] to portray the era of the Great Depression.
Ralph McQuarrie, a concept artist for the original 1977 Star Wars film, [a] based the initial design for C-3PO on the female robot from the Fritz Lang film Metropolis (1927). [5] [6] When Anthony Daniels saw one of McQuarrie's paintings of C-3PO, he was struck by the vulnerability in the droid's face, and he wanted the role.