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In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song. Harmony in Mahagita (the Burmese body of music) is known as twe-lone, which is similar to a chord in western music. For example, C is combined with F or G.
The songs descend from the musical traditions of the Burmese royal court, and form the basis of Burmese classical music today. [1] [2] Mahāgīta songs continue to be played during Buddhist rituals, weddings, and public festivals, and performers frequently appear on state-run television shows. [3]
' The Rest Under the Shade of Mandalay Hill '), is a Burmese cultural song composed in 1947 by Burmese musician Myoma Nyein, one of the greatest musicians in Burmese classical music. [1] The song contains a description of Thingyan sense on Mandalay Hill and Nandar Lake. The song was selected as one of the greatest Thingyan theme songs of all time.
May La Than Zin (Burmese: မေလသံစဉ်; MLCTS: me la san. cany, also known as May Melody; born 23 May 2003) is a Burmese singer best known for her acoustic cover songs. [ 1 ] [ 2 ] Early life
Mi Mi Khe was born to Saw Bwe Hmu, a rock singer-songwriter and his wife, Naw Phaw Wa. [3] [4] Her sister Kabya Bwe Hmu is a successful singer.[3] [4] She was previously married to Htoo L Lin, a singer. [5]
Even with the copy songs written together with his Iron Cross associates, Lay Phyu gave a fresh boost to Myanmar's Music Industry. His solo release Khana Lay Miaa has been noted for its "raw emotional power". [2] Lay Phyu shot a new music video in Ocean City, MD for his new upcoming album. The video was shot in late 2012 by Burmese director Danyar.
Thar Nge started out on his music career in participated as a contestant in Myanmar Idol, a televised singing competition. In the Myanmar Idol final, he competed with Billy La Min Aye with three songs. With the voting results of the whole country, he became the winner of the Season 2 of Myanmar Idol. [10]
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.
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