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The traza or layout was the pattern on which Spanish American cities were built beginning in the colonial era. At the heart of Spanish colonial cities was a central plaza, with the main church, town council (cabildo) building, residences of the main civil and religious officials, and the residences of the most important residents (vecinos) of ...
The Campeche (or butaca, butaque as it is more commonly known in Spanish) is a reclining, non-folding, sling-seat chair with a distinctive side-placed curule base. In North America, they are named for the Campeche region of Mexico's Yucatán Peninsula , and were popular in the Americas during the early nineteenth century.
Diaper patterns are also found. For those items worked in sections, the same design is repeated. Unlike New England surface embroidery, scrolls designs are less popular. [2]: 113 After the Spanish colonial period, the designs changed, with vines, buffalo, birds and deer becoming more frequent. [1] Christian devotional images are also used. [8]
Sino Images - Getty Images. ... are covered in a pattern created entirely from beads. Designed for ceremonial purposes, these chairs can comprise over 100,000 beads, each hand-applied to the ...
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Mission furniture is a style of furniture that originated in the late 19th century. It traces its origins to a chair made by A.J. Forbes around 1894 for San Francisco 's Swedenborgian Church . The term mission furniture was first popularized by Joseph P. McHugh of New York , a furniture manufacturer and retailer who copied these chairs and ...
Monterey Furniture refers to several furniture lines made from 1930 to the mid-1940s in California. Uniquely western, the line derived its character from Spanish and Dutch Colonial styles, California Mission architecture and furnishings, ranch furnishings, and cowboy accoutrements such as might be found in a barn (lariats and branding irons).
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...