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The song was interpolated in Nas' song "If I Ruled The World (Imagine That)" from his 1996 album It Was Written. [6] Dr. Dre sampled the track for "A Nigga Witta Gun" from the 1992 album The Chronic. The song was sampled on the Nickelodeon sitcom Taina on the song "Thought that we were friends", sung by Christina Vidal who played the title ...
Whodini is an American hip hop group that was formed in 1982. [1] The Brooklyn, New York–based trio consisted of vocalist and main lyricist Jalil Hutchins; co-vocalist John Fletcher, a.k.a. Ecstasy (who wore a Zorro-style hat as his trademark; June 7, 1964 – December 23, 2020 [2]); and turntable artist DJ Drew Carter, a.k.a. Grandmaster Dee.
List of soundtracks featuring songs by Whodini Year Title Song Release date 1985 The Jewel of the Nile "Freaks Come Out at Night" December 11, 1985 1986 Trick or Treat "The Haunted House of Rock" October 24, 1986 1989 A Nightmare on Elm Street 5: The Dream Child "Anyway I Gotta Swing It" August 11, 1989 1997 Chasing Amy "Be Yourself" April 18, 1997
It should only contain pages that are Whodini songs or lists of Whodini songs, as well as subcategories containing those things (themselves set categories). Topics about Whodini songs in general should be placed in relevant topic categories .
NME described Escape as superior to Whodini's debut studio album and praised Smith's production, writing that his "sparse DMC sound here gives way to a rich and warm electronic soundscape". [18] They went on to dub the title track as being the best song on the album, followed by "Big Mouth", "Out of Control", "We Are Whodini" and "Friends".
The big commercial breakthrough came with Escape, which included Freaks Come Out at Night and Friends, the latter one of the most-sampled songs in hip-hop. Whodini went on the road with Run-DMC ...
Joseph “Run” Simmons, Darryl “DMC” McDaniels, and Jason “Jam Master Jay” Mizell formed Run-DMC in 1983 after becoming friends as teenagers in Hollis, Queens. In a matter of months ...
It is a measure of Smith's creative range that he could work simultaneously with the decidedly dissimilar Run-D.M.C. and Whodini. [1] The former was rock-oriented, the latter leaned toward R&B—or as the critic Tom Terrell suggested, "Smith envisioned Whodini as the luxe Cadillac Seville to Run-D.M.C.'s Electra 225 hooptie." [2]