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Originally composed to be sung by a soprano castrato (and typically sung in modern performances of Serse by a countertenor, contralto or a mezzo-soprano; sometimes even by a tenor or high baritone an octave below), [1] it has been arranged for other voice types and instruments, including solo organ, solo piano, violin or cello and piano, and string ensembles, often under the title "Largo from ...
Movement Type Grove [1] reference Händel-Gesellschaft reference Hallische Händel-Ausgabe reference Notes 1 Prelude: 107 xlviii, 149 The prelude did not appear in the first edition published by John Walsh [2] and was taken from Handel's keyboard suite HWV 428.
The King of Persia, Serse, gives effusive, loving thanks to the plane tree for furnishing him with shade (Arioso: "Ombra mai fu"). His brother Arsamene, with his buffoonish servant Elviro, enters, looking for Arsamene's sweetheart Romilda. They stop as they hear her singing from the summerhouse. Romilda is making gentle fun of Serse with her song.
I think this is a fine example of the late-period Caruso, as well as being a fine example of the popular use of "Ombra mai fù" for the centuries before the revival of interest in Handel's operas. Nominate and support. Shoemaker's Holiday 03:11, 28 February 2009 (UTC) Support per nom. Durova Charge! 21:35, 2 March 2009 (UTC)
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"Ambush from Ten Sides" (Chinese: 十 面 埋伏; pinyin: shí miàn mái fú) is a classical piece written for the pipa. "Ambush" is written in the "Wu" or martial style, and is about the Battle of Gaixia in 202 BC during which General Xiang Yu was defeated by Liu Bang.
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