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A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a leitmotif during the film, which repeats in various moods. [34] Writing for Rolling Stone , Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes ...
The title of the work and the year it was published are both followed by the work’s author and the title of the film, and the year of the film. If a film has an alternate title based on geographical distribution, the title listed will be that of the widest distribution area.
This is an alphabetical list of film articles (or sections within articles about films). It includes made for television films . See the talk page in A for the method of indexing used.
(The character's name in the script is spelled "Zep", whereas the music titles are spelled "Zepp" as a reference to the popular '80s band Zapp.) [18] [19] As the series continued, the piece was reused in every film as a leitmotif, often being renamed and remixed to accommodate the changing situations and characters.
A Movie Star: Big Hearted Jack: 1916 In the silent comedy film, Mack Swain stars as a fictitious movie star who attends one of his latest movie screenings at a local Nickelodeon. He attempts to sway the audience, and the attending critic, into liking the film. It was the world's first film to utilize the technique of featuring a film within a ...
List of American children's films; List of children's animated films; List of children's films; List of composers depicted on film; List of conspiracy-thriller films and television series; Lists of crime films
This is an alphabetical list of film articles (or sections within articles about films). It includes made for television films . See the talk page for the method of indexing used.
This is a chronological list of melodrama films.Although melodrama can be found in film since its beginnings, it was not identified as a particular genre by film scholars—with its own formal and thematic features—until the 1970s and 1980s, at a time when new methodological approaches within film studies were being adopted, which placed greater emphasis on ideology, gender, and ...