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[12]: 137 For men, under-kimono often featured highly-decorative and often heavily pictorial scenes that would then be covered entirely by the outer kimono, which was typically very plain or designed with a simple and subtle pattern. Example of men's under-kimono within the collection display depictions of performers, dancers and haiku poems ...
They are often as beautifully ornate and patterned as the outer kimono. Since men's kimono are usually fairly subdued in pattern and colour, the nagajuban allows for discreetly wearing very striking designs and colours. [6]: 32–46 Nemaki A unisex cotton robe resembling a yukata, but with tube-shaped sleeves.
The typical men's kimono is a subdued, dark colour; black, dark blues, greens and browns are common. Fabrics are usually matte, in contrast to the occasional satin weaves of some women's kimono. Some men's kimono have a subtle pattern, and textured fabrics are more common in informal men's kimono.
Yūzen continues to be a popular decoration technique for kimono and obi, typically used for more formal outfits, and commonly seen on kimono such as kurotomesode. Unlike other kimono dyeing techniques such as tsujigahana , yūzen has never fallen out of fashion or been forgotten as a textile decoration technique.
Ōshima-tsumugi kimono are hugely valued for their detailed kasuri patterns and deep black color. They are known as one of the most expensive silk fabrics in Japan. [ 6 ] The cheapest piece costs about 300,000 yen per bolt, or tanmono, and the highest quality costs several million yen.
Hakama are worn with any type of kimono except yukata [2] (light cotton summer kimono generally worn for relaxing, for sleeping or at festivals or summer outings). While glossy black-and-white striped sendaihira hakama are usually worn with formal kimono, stripes in colours other than black, grey and white are worn with less formal wear.
Contemplation in a tea garden 102,83,67 #665343 海松茶: Mirucha: Simmered seaweed 76,61,48 #4C3D30 菜種油色: Nataneyu-iro: Rapeseed oil-colored 161,121,23 #A17917 黄海松茶: Kimirucha: Yellow Sea pine-brown 137,108,57 #896C39 鶯茶: Uguisucha: Japanese bush warbler-brown (greenish brown) 92,72,39 #5C4827 菜の花色: Nanohanacha ...
If the fabric is a single solid colour, or the pattern was komon (a small all-over reversible pattern), the bolt can be cut anywhere. Otherwise, the patterns would be spaced so that it was in the right place relative to where the cloth would be cut (for instance, so that a kimono's hem patterns were located at the hem on all body panels).
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