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On one's last legs [2] About to die Informal On the wrong side of the grass Dead Euphemistic slang Refers to the practice of burying the dead. Such individuals are below the grass as opposed to above it, hence being on the "wrong side". One's hour has come [1] About to die Literary: One's number is up [1] One is going to die Slang: Oofed To die ...
A tragedy is an event of great loss, usually of human life. Such an event is said to be tragic. Traditionally, the event would require "some element of moral failure, some flaw in character, or some extraordinary combination of elements" [1] to be tragic. Not every death is considered a tragedy.
Every word immediately becomes a concept, in as much as it is not intended to serve as a reminder of the unique and wholly individualized original experience to which it owes its birth, but must at the same time fit innumerable, more or less similar cases—which means, strictly speaking, never equal—in other words, a lot of unequal cases.
Death becomes the defining aspect of life, as undeniable as the flap of rotten gum tissue that Maksim can’t stop himself from exploring with his tongue, but the tension between sacrifice and ...
Vettori did not try to solve the problem but was first to publish about it, in his Latin commentary on the Poetics in 1560. [37] André Dacier wrote more than a century later, as though unaware of Castelvetro's remarks on the problem, "The wise Victorius [Vettori] is the only one who has seen it; but since he did not know what was the concern in the Chapter, and that it is only by this that it ...
"The Last Messiah" (Norwegian: "Den sidste Messias") is a 1933 essay by the Norwegian philosopher Peter Wessel Zapffe.One of his most significant works, this approximately 10 pages long essay would later be expanded upon in Zapffe’s book, On the Tragic, and, as a theory describes a reinterpretation of Friedrich Nietzsche's Übermensch.
G.W.F. Hegel, the German philosopher most famous for his dialectical approach to epistemology and history, also applied such a methodology to his theory of tragedy. In his essay "Hegel's Theory of Tragedy," A.C. Bradley first introduced the English-speaking world to Hegel's theory, which Bradley called the "tragic collision", and contrasted ...
Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for. Anagnorisis was the hero's sudden awareness of a real situation, the realisation of things as they stood, and finally, the hero's insight into a relationship with an often antagonistic character in Aristotelian tragedy. [1]