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Every word immediately becomes a concept, in as much as it is not intended to serve as a reminder of the unique and wholly individualized original experience to which it owes its birth, but must at the same time fit innumerable, more or less similar cases—which means, strictly speaking, never equal—in other words, a lot of unequal cases.
A tragedy is an event of great loss, usually of human life. Such an event is said to be tragic. Traditionally, the event would require "some element of moral failure, some flaw in character, or some extraordinary combination of elements" [1] to be tragic. Not every death is considered a tragedy.
Vettori did not try to solve the problem but was first to publish about it, in his Latin commentary on the Poetics in 1560. [37] André Dacier wrote more than a century later, as though unaware of Castelvetro's remarks on the problem, "The wise Victorius [Vettori] is the only one who has seen it; but since he did not know what was the concern in the Chapter, and that it is only by this that it ...
Stalin is often quoted as saying that “if only one man dies of hunger, that is a tragedy. If millions die, that’s only a statistic.” ... is coming for us at the speed of real life. Grade: B ...
On one's last legs [2] About to die Informal On the wrong side of the grass Dead Euphemistic slang Refers to the practice of burying the dead. Such individuals are below the grass as opposed to above it, hence being on the "wrong side". One's hour has come [1] About to die Literary: One's number is up [1] One is going to die Slang: Oofed To die ...
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
"The Last Messiah" (Norwegian: "Den sidste Messias") is a 1933 essay by the Norwegian philosopher Peter Wessel Zapffe.One of his most significant works, this approximately 10 pages long essay would later be expanded upon in Zapffe’s book, On the Tragic, and, as a theory describes a reinterpretation of Friedrich Nietzsche's Übermensch.
Destiny, painting by T. C. Gotch (1885–1886), Adelaide, Art Gallery of South Australia. Fatalism is a belief [1] and philosophical doctrine [2] [3] which considers the entire universe as a deterministic system and stresses the subjugation of all events, actions, and behaviors to fate or destiny, which is commonly associated with the consequent attitude of resignation in the face of future ...