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Put another way, it is the key whose tonic is the dominant scale degree in the main key. [8] If, for example, a piece is written in the key of C major, then the tonic key is C major and the dominant key is G major since G is the dominant note in C major. [9] "Essentially, there are two harmonic directions: toward I and toward V.
In music of the common practice period, the tonic center was the most important of all the different tone centers which a composer used in a piece of music, with most pieces beginning and ending on the tonic, usually modulating to the dominant (the fifth scale degree above the tonic, or the fourth below it) in between.
Lower dominant, happens to have the same interval below tonic as dominant is above tonic F F 5 5 Dominant: Mixolydian: Phrygian Second in importance to the tonic G G 7 6 Submediant: Aeolian: Lydian Lower mediant, midway between tonic and subdominant, (in major key) tonic of relative minor key A A♭ 8-9 7 Subtonic (minor seventh) Mixolydian
A secondary dominant (also applied dominant, artificial dominant, or borrowed dominant) is a major triad or dominant seventh chord built and set to resolve to a scale degree other than the tonic. The dominant (seventh) of the dominant (written as V 7 /V or V 7 of V) is the most frequently encountered. [5]
A tonic chord has a dominant chord; in the key of C major, the tonic chord is C major and the dominant chord is G major or G dominant seventh. The dominant chord, especially if it is a dominant seventh, is heard by Western composers and listeners familiar with music as resolving (or "leading") to the tonic, due to the use of the leading note in ...
The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...
In tonality, the tonic (tonal center) is the tone of complete relaxation and stability, the target toward which other tones lead. [5] The cadence (a rest point) in which the dominant chord or dominant seventh chord resolves to the tonic chord plays an important role in establishing the tonality of a piece.
Predominant chords both expand away from the tonic and lead to the dominant, affirming the dominant's pull to the tonic. [5] Thus they lack the stability of the tonic and the drive towards resolution of the dominant. [5] The predominant harmonic function is part of the fundamental harmonic progression of many classical works. [6]