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The film makes use of footage and interviews with American film critic Roger Ebert during the final months of his life interspersed with interviews of his friends, colleagues, and family including: Chaz Ebert (his wife), Martin Scorsese, Werner Herzog, Errol Morris, A.O. Scott, Jonathan Rosenbaum, Ramin Bahrani, Gregory Nava, Richard Corliss, and Ava DuVernay, among others.
RogerEbert.com is an American film review website that archives reviews written by film critic Roger Ebert for the Chicago Sun-Times and also shares other critics' reviews and essays. The website, underwritten by the Chicago Sun-Times, was launched in 2002. [1] Ebert handpicked writers from around the world to contribute to the website.
Roger Joseph Ebert (/ ˈ iː b ər t / EE-bərt; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, essayist, screenwriter and author.He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013.
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Roger Ebert gave the film three out of four stars, saying the film would be thought of in terms of the two leads, but also praised Joe Viterelli for his subtle performance that holds the film together. [9] Variety's review highlighted the film as a " sometimes funny situation comedy in which the mechanics of the situation eventually overwhelm ...
Roger Ebert gave the film four out of four stars, highlighting Fiorentino's ability to project her character with dry humor and a freedom from Hollywood conventions typically surrounding a female antagonist. [16] Ebert later ranked the film fifth on his year-end list of 1994's best movies. [17] He wrote in the Chicago Sun-Times:
Originally conceived as an anthology by writer-director Quentin Tarantino and his longtime friend, collaborator and Video Archives coworker Roger Avary, the film evolved into a funny, violent ...
Roger Ebert of the Chicago Sun-Times gave the film two stars out of a possible four. He wrote how Firstborn started with promise due to good performances and realistic dialogue, but he "felt cheated" by the action film cliches in the climactic scenes because they did not address the serious issues the film raised. [3]