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Beyond the intellectual realms of political economy, history, and political science that discuss, describe, and analyze the bourgeoisie as a social class, the colloquial usage of the sociological terms bourgeois and bourgeoise describe the social stereotypes of the old money and of the nouveau riche, who is a politically timid conformist ...
The term has become associated with various artistic or academic communities and is used as a generalized adjective describing such people, environs, or situations: bohemian (boho—informal) is defined in The American College Dictionary as "a person with artistic or intellectual tendencies, who lives and acts with no regard for conventional ...
Louise Joséphine Bourgeois (French: [lwiz buʁʒwa] ⓘ; 25 December 1911 – 31 May 2010) [1] was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker.
Portrait of a Burgher (c. 1660) by Lucas Franchoys the Younger. Burgher was a rank or title of a privileged citizen of a medieval to early modern European town. Burghers formed the pool from which city officials could be drawn, [citation needed] and their immediate families that formed the social class of the medieval bourgeoisie.
His flâneur is an uninvolved but highly perceptive bourgeois dilettante. Benjamin became his own prime example, making social and aesthetic observations during long walks through Paris. Even the title of his unfinished Arcades Project comes from his affection for covered shopping streets. [26]
Ruelle, literally meaning "narrow street" or "lane", designates the space between a bed and the wall in a bedroom; it was used commonly to designate the gatherings of the "précieuses", the intellectual and literary circles that formed around women in the first half of the 17th century.
There are a few examples of tragic plays with middle-class protagonists from 17th century England (see domestic tragedy), but only in the 18th century did the general attitude change. The first true bourgeois tragedy was an English play: George Lillo's The London Merchant; or, the History of George Barnwell, which was first performed in 1731.
Anti-art is also a tendency in the theoretical understanding of art and fine art.. The philosopher Roger Taylor puts forward that art is a bourgeois ideology that has its origins with capitalism in "Art, an Enemy of the People".