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Other outstanding features of the PAS cards were the Win 3.x software (audio recorder, CD player and mixer) that fit on a 640x480 screen and worked well together, the quality of the user manual (even in the translated versions), jumperless configuration via software, the use of a 4 layer printed circuit board, and the PC speaker support that ...
Smaart running as a spectrum analyzer, in spectrograph view. In spectrograph view, Smaart displays a real-time spectrum analysis, showing the relative strength of audio frequencies for one audio signal. Needing only one channel of audio input, this capability can be used for a variety of purposes.
[4] [5] Hi-Fi for Pleasure noted that the speakers' impedance, although quoted at 3 ohms nominal, dipped considerably at some parts of the audio spectrum. [ Note 2 ] This made the DMS Isobarik very hard for amplifiers to drive, potentially causing many amplifiers' output protection to trip. [ 4 ]
The LS3/5A is a commercially produced loudspeaker driven by the need of the BBC to monitor and assess broadcast programme quality. It was derived from the LS3/5, which was conceived and developed by the BBC Engineering Department in the early 1970s, when it was under the stewardship of Dudley Harwood. [2]
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The audio magazines need to appeal to a broad spectrum of advertisers including many who make speaker systems which are time incoherent. The magazines, and the reviewers who write for them, have ignored or downplayed the issue of time- and phase-accuracy in order to maximize advertising revenue.
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Early digital audio machines had disappointing results, with digital converters introducing errors that the ear could detect. [36] Record companies released their first LPs based on digital audio masters in the late 1970s. CDs became available in the early 1980s. At this time analog sound reproduction was a mature technology.
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