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In Triptych Inspired by T. S. Eliot's poem "Sweeney Agonistes", Bacon shows a couple erotically entwined in the right-hand panel, while a clothed male figure stands looking at them. The left-hand panel shows another couple, in full view, lying in Post-coital tristesse. Here, Bacon is looking at the notion of voyeurism as an ideal prelude to ...
It was Bacon's studio by day; at night, abetted by Eric Hall and Bacon's childhood nanny Jessie Lightfoot, it functioned as an illicit casino. [12] Although he had been painting for almost twenty years, Bacon steadfastly insisted that Three Studies was the fons et origo of his career. He destroyed many of his earlier canvasses, and tried to ...
Francis Bacon, Three Studies for a Crucifixion, 1962, Guggenheim Museum in New York Three Studies for a Crucifixion is a 1962 triptych oil painting by Francis Bacon.It was completed in March 1962 and comprises three separate canvases, each measuring 198.1 by 144.8 centimetres (6 ft 6.0 in × 4 ft 9.0 in).
This work was the first painting Bacon was happy with and was an instant critical success. The themes it explores reoccur and are re-examined in many of his later panels and triptychs. The Irish-born British artist Francis Bacon (1909–1992) painted 28 known large triptychs between 1944 and 1985–86. [ 1 ]
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Francis Bacon, Triptych Inspired by the Oresteia of Aeschylus, 1981 Triptych Inspired by the Oresteia of Aeschylus is a 1981 oil-on-canvas triptych painting by Francis Bacon . It is one of 28 large triptych paintings by Bacon, each comprising three oil on canvas panels which measure 198 cm × 147.5 cm (78.0 in × 58.1 in).