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Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times) Joe ...
The movie premiered at the Radio City Music Hall, and in a contemporary review for The New York Times, critic Frank S. Nugent wrote that the character of Stella Dallas, first portrayed on the screen 12 years earlier, was outdated, but that the film's theme of motherly love endured: "[W]e cannot accept Stella Dallas in 1937. She is a caricature ...
The Radio Times Guide to Films gave the film 4/5 stars, writing: "Dracula director Terence Fisher does sterling work on this thrilling Hammer adaptation of Dennis Wheatley's tale of good v satanic evil. Christopher Lee, here on the side of the angels, swaps his usual fangs/cloak combo for a goatee and occult savvy as the debonair Duc de ...
Francis Bosley Crowther Jr. (July 13, 1905 – March 7, 1981) was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though some of his reviews of popular films have been seen as unnecessarily harsh.
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing.
Last week, Walt Disney Studios announced a flurry of release date changes for its upcoming film slate, kicking a number of premium titles down the road as COVID-19-stricken movie theaters slowly ...
Armie Hammer was not removed from 'Death on the Nile' after he was accused of sexual misconduct. But in recent years, some studios have taken a different approach.
The Hammer, previously titled Hamill, is a 2010 biographical film about Matt Hamill, a deaf wrestler and mixed martial artist. Oren Kaplan directs the film based on a screenplay co-written by Eben Kostbar and Joseph McKelheer, who are also the film's producers.