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A triple fore-edge painting has, in addition to paintings on the edges, a third painting applied directly to the edges (in lieu of gilt or marbling). An edge painting that is a continuous scene wrapped around more than one edge is called a panoramic fore-edge painting. This is sometimes called a triple edge painting. [7] [8]
Matin à Villeneuve is an oil painting on canvas in a vertical format with dimensions 153.7 x 127 cm (60.5 by 50 in), signed by Henri Biva (lower left). This highly detailed work depicts a morning scene at the Villeneuve-l'étang park, located just outside Paris in the western suburb of Marnes-la-Coquette (Seine-et-Oise), France.
Hard-edge painting (also referred to as Hard Edge or Hard-edged) is painting in which abrupt transitions are found between color areas. [1] Color areas often consist of one unvarying color. The Hard-edge painting style is related to Geometric abstraction , Op Art , Post-painterly Abstraction , and Color Field painting .
Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. [1]
Ellsworth Kelly (May 31, 1923 – December 27, 2015) was an American painter, sculptor, and printmaker associated with hard-edge painting, Color field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland .
There she worked at the Los Angeles Art Association and became familiar with the local art scene, and met fellow hard-edge painters Lorser Feitelson and Helen Lundeberg. Feitelson supported and encouraged her work considerably, and eventually mentioned her work to Jules Langsner, a noted writer, critic, and art historian. Harwood and Langsner ...