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Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff , which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or ...
His overgown has puffed upper sleeves and a black (probably fur) lining. His shoes have squarish toes and reach high over his instep, 1532–33. Jean de Dinteville, French ambassador to England, wears a fur-lined calf-length overgown over a black jerkin and a slashed doublet of rose-colored silk. His shoes are very square at the toes, 1533.
Her black gown is high necked in front and lower at the back, typical of Italian fashion at this time, and is worn with floral sleeves, probably attached to an underdress, 1465–1470. Italian fresco showing women with their hair braided or twisted, and wrapped around their heads, secured with ribbons laced through the coils, 1468–1470.
The "Pelican Portrait" of Elizabeth I shows the Elizabethan fashion for matching partlet and sleeves worked with blackwork embroidery. [12] Such sets of partlet and sleeves were common New Year's gifts to the queen. In 1562, Lady Cobham gifted the queen "a partelett and a peire of sleeves of sypers wrought with silver and black silke". [13]
Farthingale pins were bought for her, possibly suggesting her costume at court was much the same as other young women. [13] [14] Several pairs of shoes were made by Garret Johnson for Aura Soltana, possibly indicating she was still growing. These included leather shoes, some made of Spanish leather, leather "pantobles", and velvet shoes and ...
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
In 1605, Catherine Tollemache wrote to her London tailor, Roger Jones, about farthingale sleeves covered with satin, and he suggested another style of sleeve now in fashion would be "fytter" for her new gown. [43] In 1607 there were discussions about taxing imported whale fin baleen, "used only in sleeves and bodies for women". [44]
His sleeves are white and he wears white stockings, plain black shoes, and brown leather gloves, 1631–32. Don Pedro de Barberana y Aparregui wears conservative Spanish fashion 1632. Spanish custume from 1630s or 1640s including a golilla , a stiff linen collar projecting at right angles from the neck.
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