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Diane Arbus (/ d iː ˈ æ n ˈ ɑːr b ə s /; née Nemerov; March 14, 1923 – July 26, 1971 [2]) was an American photographer. [3] [4] She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. [5]
Zelman developed a highly stylized form of hard-flash street photography while in art school [2] and Los Angeles Times art critic Leah Ollman compares the "psychological density" [3] of his work to the likes of Garry Winogrand, Larry Fink, Diane Arbus and William Klein- photographers that are "purposely getting it wrong in one way so as to get ...
He closed his poster shop around 1976, when a former restaurant facility became available in the same complex on Westwood's Broxton Avenue, [3] and upgraded to prints by artists like Diane Arbus and Lee Friedlander. [5] His gallery Prints on Broxton was renamed the Broxton Gallery when he began to show a wider array of contemporary art. [3]
Fur: An Imaginary Portrait of Diane Arbus (also known simply as Fur) is a 2006 American romantic drama film directed by Steven Shainberg and written by Erin Cressida Wilson, based on Patricia Bosworth's book Diane Arbus: A Biography.
Amy Arbus (born 1954), a New York City–based photographer; Diane Arbus (1923–1971), black and white photographs of deviant and marginal people; Laura Adams Armer (1874–1963), portraiture in San Francisco, images of the Navajo; Eve Arnold (1913–2012), photojournalist with Magnum Photos
Diane Arbus photograph, Identical Twins, Roselle, New Jersey, 1967. Identical Twins, Roselle, New Jersey, 1967 is a noted photograph by photographer Diane Arbus from the United States. Since its debut Identical twins, Roselle, N. J., has become the image most closely associated with her large body of work. The photograph was chosen as the cover ...
In 2005, Selkirk directed the documentary film, Who is Marvin Israel, [8] about Marvin Israel (1924-1984), an artist, designer, art director and teacher, who influenced many of the important photographers and designers of the twentieth century, including Richard Avedon and Diane Arbus, as well as Selkirk himself. The film, which premiered at ...
Levine grew up Manhattan's Chinatown. [5] When she was fourteen, she went to a Diane Arbus exhibit at the Museum of Modern Art and developed an interest in photography. She borrowed her father's camera and signed up for after-school darkroom classes at the Henry Street Settlement and initially shot documentary-style street photographs in her neighborhood.