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Macroeconomics is a branch of economics that deals with the performance, structure, behavior, and decision-making of an economy as a whole. [1] This includes regional, national, and global economies .
The valorization of flatness led to a number of art movements, including minimalism and post-painterly abstractionism. [1] [2] Modernism of the arts happened during the second half of the 19th century and extended into most of the 20th. This period of art is identified by art forms consisting of an image on a flat two-dimensional surface.
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
A third set, referred to as the "neoclassical revival", expanded the definition of capital in exogenous growth theory to include human capital. [179] This strain of research began with Mankiw, Romer, and Weil (1992), [ac] which showed that 78% of the cross-country variance in growth could be explained by a Solow model augmented with human ...
Composite art depicts a figure composed in whole or part of different creatures, including human beings, animals, birds, reptiles, insects, or dinosaurs such as Brontosaurus. [3] The origin of the style is unknown and debated by scholars. [4] Composite art has a history in two prominent traditions – Hindu and Mughal.
Ephemeral art [1] is the name given to all artistic expression conceived under a concept of transience in time, of non-permanence as a material and conservable work of art. Because of its perishable and transitory nature, ephemeral art (or temporary art ) does not leave a lasting work, or if it does – as would be the case with fashion – it ...
If a geometric shape can be used as a prototile to create a tessellation, the shape is said to tessellate or to tile the plane. The Conway criterion is a sufficient, but not necessary, set of rules for deciding whether a given shape tiles the plane periodically without reflections: some tiles fail the criterion, but still tile the plane. [19]
' serpentine figure ') is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of Mannerism. It is similar, but not identical, to contrapposto, and features figures often in a spiral pose. [1] Early examples can be seen in the work of Leonardo da Vinci, Raphael and Michelangelo.