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The eudaemon, eudaimon, or eudemon (Ancient Greek: εὐδαίμων) in Greek mythology was a type of daemon or genius (deity), which in turn was a kind of spirit. [1] A eudaemon was regarded as a good spirit or angel , and the evil cacodaemon was its opposing spirit.
Metamorphoses into plants in Greek mythology (2 C, 8 P) Pages in category "Mythological plants" The following 27 pages are in this category, out of 27 total.
A host of legendary creatures, animals, and mythic humanoids occur in ancient Greek mythology.Anything related to mythology is mythological. A mythological creature (also mythical or fictional entity) is a type of fictional entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before ...
Chamrosh (Persian mythology) – body of a dog, head & wings of a bird; Cinnamon bird – greek myth of an arabian bird that builds nests out of cinnamon; Devil Bird (Sri Lankan) – shrieks predicting death; Gagana – a miraculous bird with an iron beak and copper claws; Gandabherunda – two-headed magical bird
The story may have started from goose barnacles growing on driftwood. Fern flower: A magic plant in Baltic mythology thought to only bloom one night, sought by lovers. Lotus tree: A plant in Greek mythology bearing a fruit that causes pleasant drowsiness. Moly: A magic herb in Greek mythology with a black root and white blossoms.
In terms of its etymology, eudaimonia is an abstract noun derived from the words eû (good, well) and daímōn (spirit or deity). [2]Semantically speaking, the word δαίμων (daímōn) derives from the same root of the Ancient Greek verb δαίομαι (daíomai, "to divide") allowing the concept of eudaimonia to be thought of as an "activity linked with dividing or dispensing, in a good way".
Nathaniel Hawthorne repeated the story of Baucis and Philemon in "The Miraculous Pitcher," a story in A Wonder-Book for Girls and Boys, 1851. Jean de la Fontaine's poem follows Ovid closely. John Dryden translated Ovid's poem in 1693. Jonathan Swift wrote a poem on the subject of Baucis and Philemon in 1709.
Nine and three, numbers significant in Germanic paganism and later Germanic folklore, are mentioned frequently throughout the charm. [2]Scholars have proposed that this passage describes Woden coming to the assistance of the herbs through his use of nine twigs, each twig inscribed with the runic first-letter initial of a plant.