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"Sad Eyed Lady of the Lowlands" is a song by the American singer-songwriter Bob Dylan. First released as the final track on Dylan's seventh studio album, Blonde on Blonde (1966), the song lasts 11 minutes and 23 seconds, and occupies the entire fourth side of the double album .
Mellers points out that the song's mood of isolation is intensified by the "bare, open fifths" played by the piano and by the silences incorporated into the sad melody. [4] He also notes that the pain communicated by the song is enhanced by the dissonances in the music, particularly the use of semitone intervals. [4]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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"My Immortal" is a piano power ballad. [14] [15] [16] John Bean of The Providence Journal called it a "gothic ballad". [17] Michael Clark of the Houston Chronicle viewed it as "goth-meets-pop", [18] and MTV described it as a "delicate, heartfelt ballad". [19] A writer for IGN said "My Immortal" is thematically a song of pain and despair". [20]
Sheet music for the piano sonatas: Scores at the International Music Score Library Project "Music for piano, keyboard and organ". Archived from the original on December 31, 2009. Complete recording of Joseph Haydn's Piano Sonatas on a sampled Walter fortepiano and on a sampled Steinway D
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
"There'll Be Sad Songs (To Make You Cry)" is a song by Trinidadian-English singer Billy Ocean from his sixth studio album, Love Zone (1986). The song was written and produced by Wayne Brathwaite and Barry Eastmond; Ocean was also credited as a co-writer for the song.
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