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The beginning of the concerto. The Oboe Concerto No. 3 in G minor (HWV 287) was composed by George Frideric Handel for oboe, orchestra and basso continuo, possibly in 1704-1705, [1] when he was still in Hamburg. It was first published in Leipzig in 1863 (from unknown sources) in which it was described as a work from 1703. No other source for ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Tenor Saxophone Concerto (2015) Bass Clarinet Concerto (2018) Concerto for Recorder and Chamber Orchestra (the one-movement concerto contains sections for bass recorders – C and F –, one passage for alto recorder, and one section for sopranino recorder) (2020) Alto Flute Concerto (the 4th movement out of 6 is scored for Bass flute) (2021)
Referred to as organ concerto "No. 17". Arranged from Concerto Grosso Op.6 No.5 (HWV 323). 300 Organ G minor 1740 "2nd Set" No. 6 Referred to as organ concerto "No. 18". Arranged from Concerto Grosso in G minor Op.6 No.6 (HWV 324). 301: Oboe B-flat major 1740 "Oboe concerto No. 1" 302a: Oboe B-flat major 1740 "Oboe concerto No. 2" 303 Organ D minor
Oboe Concerto No. 3 (Handel) Oboe Concerto (Harbison) Oboe Concerto (attributed to Haydn) Oboe Concerto (Higdon) I. Island Prelude; K. Oboe concerto No. 1 (Krommer) L.
The third concerto in G major is again in three movements (the opening Largo is too brief to be counted as a movement). There is little doubt that this concerto was compiled by Walsh from a number of pieces by Handel. The concerto is scored for one oboe (can also be replaced by a transverse flute), one bassoon, strings, and continuo. [3]
The Oboe Concerto is a concerto for a solo oboe and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Minnesota Commissioning Club and was premiered on September 9, 2005, by the oboist Kathy Greenbank and the Saint Paul Chamber Orchestra. [1] [2] Higdon later reworked the piece into her Soprano Sax Concerto in ...
One barrel contained the concertos Op. 4, No. 5 and Op. 7, No.3 and another the concerto Op. 7, No.4 with the ad libitum slow movement provided by the sarabande and variations on La Folia from Handel's Suite in D minor for harpsichord HWV 437. Cumming's inventory is all that survives of these organs, one having been destroyed in a fire in 1843.
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