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The E9 is a popular tuning for single neck instruments of eight or more strings. This tuning has evolved in the last half of the twentieth century with input from prominent performers including Jimmy Day, Ralph Mooney and Buddy Emmons to support optimal chord and scale patterns across a single fret on the 10-string pedal steel guitar.
The values indicated by the scale at the left are deviations in cents with respect to equal temperament. Quarter-comma meantone , which tempers each of the twelve perfect fifths by 1 / 4 of a syntonic comma , is the best known type of meantone temperament, and the term meantone temperament is often used to refer to it specifically.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
This tuning pattern of (low) fourths, one major third, and one fourth was inherited by the guitar from its predecessor instrument, the viol. The irregular major third breaks the fingering patterns of scales and chords, so that guitarists have to memorize multiple chord shapes for each chord.
Cort KX500MS Star Dust Green -fanned fret / multi-scale -7-string electric guitar with EMG-pickups. A multi-scale fingerboard (also called multiple scale length fretboard [1]) is an instrument fretboard which incorporates multiple scale lengths. This allows each of the strings to have a different string tension and thus, balanced tonal ...
Four-semitone tritone scale/Messiaen's 7th mode Play ⓘ Dominant seventh raised ninth vs. dominant seventh split third chord. Play ⓘ The four-semitone tritone scale (set 10-6) is a decatonic scale consisting of four semitones, a whole tone, four semitones, and a whole tone (four semitones a tritone apart): 0,1,2,3,4,6,7,8,9
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Persian scale on C Play ⓘ.. The Persian scale is a musical scale occasionally found in guitar scale books, along with other scales inspired by Middle Eastern music. It is characterized by the liberal use of half steps (4), augmented seconds (2), and frequent use of chromaticism.
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