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Blue & Lonesome is the 23rd studio album by English rock band the Rolling Stones, released on 2 December 2016. Consisting entirely of blues music, it is the band's first album to feature only cover songs. The album is also their first studio release since 2005's A Bigger Bang, with its 11-year gap being the longest between two albums from the ...
The Lord's Taverners Charity Album (UK) The Rolling Stones, Now! (US) Jagger/Richards Jagger "Susie Q" 1964 1964 The Rolling Stones No. 2 (UK) 12 X 5 (US) Dale Hawkins/Stan Lewis/Eleanore Broadwater Jagger "Sway" 1970 1971 Sticky Fingers: Jagger/Richards Jagger "Sweet Black Angel" 1971 1972 Exile on Main St. Jagger/Richards Jagger "Sweet Little ...
UK: The Rolling Stones No. 2 US: The Rolling Stones, Now! 1 — — — 14 4 21 2 — — Dec 1964 "Heart of Stone" UK: Out of Our Heads US: The Rolling Stones, Now! "What a Shame" UK: The Rolling Stones No. 2 US: The Rolling Stones, Now! — 19 16 15 — 6 24 5 15 — Jan 1965 "Route 66" UK: The Rolling Stones US: England's Newest Hit Makers ...
The Rolling Stones are releasing a new album on Oct. 20. ... After 50 years of proving themselves as songwriters whose catalog reaches far beyond the Delta Blues, the Stones went back to the music ...
Black and Blue is the thirteenth studio album by the English rock band the Rolling Stones, released on 23 April 1976, by Rolling Stones Records.. This album was the first record after former guitarist Mick Taylor quit in December 1974.
The album's debut at number 2 on the UK charts was the highest position for a Rolling Stones concert album since Get Yer Ya-Ya's Out! The Rolling Stones in Concert in 1970. At the Beacon Theatre show, music executive Ahmet Ertegun fell and later died from his injuries. [300]
12 × 5 is the second American studio album by the English rock band the Rolling Stones, released in 1964 following the success of their American debut The Rolling Stones (England's Newest Hit Makers). It is an expanded version of the EP Five by Five, which had followed their debut album in the UK.
The song itself is a low and lumbering blues number, with Bill Janovitz saying in his review, “the instrumental arrangement clearly aims for the Chess Studios approach.” [2] Jagger double tracks the lead vocal, a studio technique rarely used in Rolling Stones recordings.