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The Eames Lounge Chair and Ottoman is a lounge chair and ottoman manufactured and sold by American furniture company Herman Miller. Introduced in 1956, the Eames Lounge Chair was designed by Charles and Ray Eames and is made of molded plywood and leather. It was the first chair the Eameses designed for the high-end market.
The Eames Lounge Chair Wood (LCW) (also known as Low Chair Wood or Eames Plywood Lounge Chair) is a low seated easy chair designed by husband and wife team Charles and Ray Eames. The chair was designed using technology for molding plywood that the Eames developed before and during the Second World War .
Charles Eames (Charles Eames, Jr) and Ray Eames (Ray-Bernice Eames) were an American married couple of industrial designers who made significant historical contributions to the development of modern architecture and furniture through the work of the Eames Office. They also worked in the fields of industrial and graphic design, fine art, and film.
It was designed by Charles Eames, Ray Eames, and Don Albinson; Charles and Don patented the design and innovative construction. [4] Robert Staples also worked on it. [3] Although it was originally called the "Indoor-Outdoor Group", it did not succeed as outdoor furniture, and by 1959, Herman Miller had renamed it the Eames Aluminum Group.
The material of the chair, Zenaloy, which is polyester reinforced with fiberglass, was first developed by the US Army during World War II. [4] Using this material, Ray and Charles Eames designed a prototype chair for the 1948 ‘International Competition of Low-Cost Furniture Design’ held by the Museum of Modern Art.
Charles Ormond Eames Jr. (June 17, 1907 – August 21, 1978) was an American designer, architect and filmmaker. In professional partnership with his wife Ray-Bernice Kaiser Eames , he made groundbreaking contributions in the fields of architecture, furniture design, industrial design, manufacturing and the photographic arts.
English: A molded plywood stacking chair for children, designed by Charles and Ray Eames in 1945. On display at the Oakland Museum of California. Photo by Jim Heaphy.
The tremendous growth of the Harem institution reconstructed the careers and roles of women in the dynasty power structure. There were harem women who were the mothers, legal wives, Kalfas, and concubines of the Ottoman Sultan. Only a small amount of these harem women were freed from slavery and married their spouses.
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