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I, a Man is a 1967 American erotic drama film written, directed and filmed by Andy Warhol. It debuted at the Hudson Theatre in New York City on August 25, 1967. [ 1 ] The film depicts the main character, played by Tom Baker , in a series of sexual encounters with eight women. [ 1 ]
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
"I Am a Man!" has been used as a title for books, plays, and in music [6] and film [7] to assert the rights of all people to be treated with dignity. "I Am a Man!" was a foundational reference in Derek DelGaudio's theater show "In & Of Itself." DelGaudio created 1,000 "I AM" cards, each with a different descriptor.
"I'm a Man" is a song written by Steve Winwood and record producer Jimmy Miller. It was first recorded in 1967 by the Spencer Davis Group ; Winwood sang lead vocals and played keyboards. The song was a hit in the United Kingdom and the United States, reaching No. 9 and No. 10, respectively.
An isomorphic keyboard is a musical input device consisting of a two-dimensional grid of note-controlling elements (such as buttons or keys) on which any given sequence and/or combination of musical intervals has the "same shape" on the keyboard wherever it occurs – within a key, across keys, across octaves, and across tunings.
Solanas said that until she was informed by Violet, she was unaware of Warhol's death in 1987. [81] [e] The grave of Valerie Jean Solanas at Saint Marys Catholic Church Cemetery, Fairfax County, Virginia. On April 25, 1988, at the age of 52, Valerie Solanas died of pneumonia at the Bristol Hotel in the Tenderloin district of San Francisco. [83]
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C