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"Nice Guy" is a song by American rapper Eminem and Canadian singer Jessie Reyez from the former's tenth studio album Kamikaze, released on August 31, 2018, via Shady Records. Produced by Fred Ball and Symbolyc One with additional production by Eminem, recording sessions took place at Effigy Studios in Detroit .
"No More Mr. Nice Guy" is a song by American rock band Alice Cooper, released in 1973 as a single off their sixth studio album Billion Dollar Babies (1973). The single reached No. 25 on the US charts and No. 10 on the UK charts, and helped Billion Dollar Babies to reach No. 1 in both the UK and the US.
The Innocent Man (Korean: 세상 어디에도 없는 착한 남자; RR: Sesang Eodiedo Eomneun Chakan Namja; lit. The Nice Guy Never Seen Anywhere in the World) is a 2012 South Korean television series starring Song Joong-ki, Moon Chae-won, and Park Si-yeon.
"No More Mr. Nice Guy" (song), a 1973 song by Alice Cooper, later covered by Megadeth; No More Mr. Nice Guy (Gang Starr album), 1989; No More Mr. Nice Guy (Steve Wariner album), 1996; In a Metal Mood: No More Mr. Nice Guy, a 1997 album by Pat Boone "No More Mr. Nice Guy", a 1994 song from The Swan Princess: Music From The Motion Picture
In a Metal Mood: No More Mr. Nice Guy is the 62nd studio album by American singer Pat Boone, released on January 28, 1997, in which Boone covers hard rock and heavy metal songs in a jazz/big band style. Boone promoted the album by appearing in leather clothing (and, at that year's American Music Awards, wearing a dog collar).
The Nice Guys (Original Motion Picture Soundtrack) is a soundtrack by John Ottman and David Buckley for Shane Black ' s film of the same name. It was released on May 13, 2016, through Lakeshore Records .
"Nice Guy Eddie" is a song by English Britpop band Sleeper, written by the band's vocalist and guitarist Louise Wener. It was the third single to be released from their second album, The It Girl . It peaked at number 10 on the UK Singles Chart .
Nice Guy" is a synth-pop number that expresses declarative self-confidence with an anthemic tone. [5] The following track "20" is dedicated to the youth, with lyrics developed during Jaehyun's visit to his old neighborhood. [6] [11] The closing track, "Call Me", was heavily inspired by a "comforting text" that Taesan received from his father ...