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Dahuka boli (Odia: ଡାହୁକ ବୋଲି, also "Dahuka gita" (ଡାହୁକ ଗୀତ)) are poetic recitations which Dahukas (or Ratha bhanda), the charioteer who recite during the Rath Yatra in Puri, Odisha. Ratha Yatra being a symbolic expression of fertility and Life cycle, these "boli
Kabisurjya Baladeba Ratha (alternatively spelled Kabisurya, Kavisurya Baladev Rath, Kabisūrjya Baḷadeba Ratha, Odia: [kɔbisurd͡ʒjɔ bɔl̪ɔd̪ebɔ ɾɔt̪ʰɔ] ⓘ; c. 1789 – 1845) was an Indian poet who wrote in the Odia language, and a composer and musician of Odissi music, most known as poet-composer of the Champu.
Odissi music is intimately and inextricably associated with the Jagannatha temple of Puri, where it is a ritual service to the deity. The deity of Jagannatha is at the heart of Odisha's culture, and Odissi music was originally the music offered as a sevā or service to Jagannatha.
In Odia literature too, there are numerous works in this genre. There is an added feature though- a Champu in Odia usually has 34 songs, one for each consonant of the alphabet. This rule, though absent in Sanskrit definitions is followed in most of the creations of the Champu genre in Odia. All lines of a song start with its assigned letter.
Tappa is a form of Indian semi-classical vocal music whose specialty is its rolling pace based on fast, subtle, knotty construction. It originated from the folk songs of the camel riders of Punjab and was developed as a form of classical music by Mian Ghulam Nabi Shori or Shori Mian, a court singer for Asaf-Ud-Dowlah, the Nawab of Awadh.
Banamali Dasa (Odia: [bɔnɔmaːl̪i d̪aːsɔ] ⓘ; 1720–1793) was an Indian medieval Odia bhakta-poet and composer of Odissi music from the state of Odisha."Dinabandhu daitari", [1] "Kede chanda jane lo sahi", and "Manima he etiki maguni mora" are some of his notable writings that are used in Odissi.
Many songs in Indian films are based on ragas of Indian classical music. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale.
Prem Anand (Odia: ପ୍ରେମ ଆନନ୍ଦ) is an Indian music director and composer. [1] [2] He usually works in Odia film and television industry. [3]In 2006, he started his career as a music director through the Odia movie Tu Eka Ama Saha Bharasa and worked as a music director in more than 60 Odia films. [4]