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Wolfe bluntly lays out his thesis in the introduction to From Bauhaus to Our House with a riff on the patriotic song "America the Beautiful" . O beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today?
The Bauhaus emblem, designed by Oskar Schlemmer, was adopted in 1922. Typography by Herbert Bayer above the entrance to the workshop block of the Bauhaus Dessau, 2005. The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ⓘ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. [1]
The Pump House Gang (1968) Radical Chic & Mau-Mauing the Flak Catchers (1970) The New Journalism (1973) (Ed. with E.W. Johnson) The Painted Word (1975) Mauve Gloves & Madmen, Clutter & Vine (1976) The Right Stuff (1979) In Our Time (1980) From Bauhaus to Our House (1981) The Purple Decades (1982; selected excerpts of previous works) Hooking Up ...
The house has been described as sublime, a temple hovering between heaven and earth, a poem, a work of art. The Edith Farnsworth House and its 60-acre (240,000 m 2 ) wooded site was purchased at auction for US$7.5 million by preservation groups in 2004 and is now owned and operated by the National Trust for Historic Preservation as a public ...
In his 1981 book about modern architecture, From Bauhaus to Our House, Tom Wolfe called the Barcelona chair as "the Platonic ideal of the chair", and wrote that, despite its high price, owning one had become a necessity for young architects: "When you saw the holy object on the sisal rug, you knew you were in a household where a fledgling ...
The Bauhaus Dessau is one of the iconic buildings of the 20th century. It was designed by Walter Gropius and was officially opened on 4 December 1926, having taken just over a year to build. [12] It is "regarded as a 'built manifesto' of the Bauhaus's ideas, in which the functionality and aesthetics of the design coalesce to form a single ...
The house was built away from the main Bauhaus campus, at 61 am Horn, a street of upper-middle class Gründerzeit villas. The plot was previously used as a vegetable garden to supply fruit and vegetables for the Bauhaus canteen. [5] All the furniture and fittings were made in the Bauhaus workshops.
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