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The anthem's targets were all of the population of South Vietnam. The anthem had to call for the armed insurrection against the US-backed Saigon regime and the unification of Vietnam as a whole. The authors had to use a novel pseudonym to maintain the independence of the National Liberation Front of South Vietnam.
Tiếng gọi thanh niên, or Thanh niên hành khúc (Saigon: [tʰan niəŋ hân xúk], "March of the Youths"), and originally the March of the Students (Vietnamese: Sinh Viên Hành Khúc, French: La Marche des Étudiants), is a famous song of the Vietnamese musician Lưu Hữu Phước.
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National anthem title in local language(s) English translation of title Period Lyrics writer(s) Anthem composer(s) Audio Notes Republic of Artsakh "Azat u Ankakh Artsakh" [trans 54] "A Free and Independent Artsakh" 1994–2023 Vardan Hakobyan: Armen Nasibyan [30] [31] Austria "Volkshymne" "People's Hymn" 1854–1867 Johann Gabriel Seidl: Joseph ...
After selecting the anthem's lyrics, Ōyama then asked Fenton to create the melody. After being given just two [13] to three weeks to compose the melody, and only a few days to rehearse, Fenton debuted the anthem before the Japanese Emperor in 1870. [12] This was the first version of "Kimigayo".
Vietnamese music varies slightly in the three regions: North, Central, and South. Northern classical music is Vietnam's oldest and is traditionally more formal. Vietnamese classical music can be traced to the Mongol invasions, when the Vietnamese captured a Chinese opera troupe. Central classical music shows the influences of Champa culture ...
"Tiến Quân Ca" (lit. "The Song of the Marching Troops") is the national anthem of Vietnam.The march was written and composed by Văn Cao in 1944, and was adopted as the national anthem of the Democratic Republic of Vietnam in 1946 (as per the 1946 constitution) and subsequently the Socialist Republic of Vietnam in 1976 following the reunification of Vietnam.
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...