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[2]: pg 158 The album included a duet with Amy Grant, "Nobody Loves Me Like You Do". This association lead to Grant touring with D&K as an opening act with D&K as her musical support/backup band in 1981. [11] [1]: pg 374 This was Grant's first big tour and was a boost for both artists. Dan Brock, D&K's manager/booking agent, explained, "She was ...
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
"Nobody Gets Me" is a song by American singer-songwriter SZA and the fourth single from her second studio album, SOS (2022). It was sent to Italian radio on January 6, 2023, and US contemporary hit radio four days later. The song peaked at number 10 on the US Billboard Hot 100, the Canadian Hot 100, and the Official New Zealand Music Chart.
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord
C-C-G-C-E ♭-A ♭ a cross-note overtones tuning that facilitates seventh chords. Cross-note D: D-A-D-F-A-D (used by John Fahey on the song "Red Pony") Alternative: D-A-D-A-D-F (used by William Ackerman on "Barbara's Song") Cross-note E: E-B-E-G-B-E (used by ZZ Top on the song "Just Got Paid" and by Joey Eppard on the 3 song "Bramfatura")
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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