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US Naturalization index record of SZ Sakall. Gerő Jenő (later transcribed in English as Jacob Gero) [2] was born in Budapest to a Jewish family. [3] A sculptor's son, he was invalided out of the Hungarian army in World War I after a Russian bayonet wounded him in the chest. [4]
Stolen Wednesday (Hungarian: Az ellopott szerda) is a 1933 Hungarian romantic comedy film directed by Viktor Gertler and starring Kálmán Rózsahegyi, S.Z. Sakall and Steven Geray. [1] [2] It was a Multiple-language version, common during the early sound era, with a separate German-language film Tokajerglut also produced. [3]
Tin Pan Alley promoter (Mark Stevens) turns serious composer Fred Breitenbach (S.Z. Sakall) into songwriter Fred Fisher. Fred Fisher is his assumed name in real life and Breitenbach is his birth surname. In the film, many Fisher songs were given a symphonic arrangement that was performed at Aeolian Hall. Among the Fisher songs heard were: Chicago
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Aj (Hindi: आज, romanized: Āja, lit. 'Today') is a Hindi language daily broadsheet newspaper in India, currently published from 12 cities in the Bihar, Jharkhand, Uttar Pradesh and Uttarakhand states. The main edition is published in Varanasi. The newspaper was founded by a freedom fighter named Shiv Prasad Gupta.
The supporting cast includes Oscar Homolka, S. Z. Sakall, Henry Travers, Richard Haydn, Dana Andrews, and Dan Duryea. In 2016, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress, and selected for preservation in its National Film Registry.
The paper was bilingual fortnightly also published in English as The Bombay Darpan and stopped publishing in 1840. [ 1 ] [ 2 ] Founded in 1881 by Bal Gangadhar Tilak , the daily Kesari was a prominent newspaper of the pre-Independence era with a large readership.
A Woman Like You (German: Eine Frau wie Du) is a 1933 German comedy film directed by Carl Boese and starring Liane Haid, Georg Alexander, and S. Z. Sakall. [1] It was shot at the Bavaria Studios in Munich and on location in Garmisch-Partenkirchen. The film's sets were designed by the art director Ludwig Reiber.