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The work was funded by the businessman Charles Saatchi, who in 1991 had offered to pay for whatever artwork Hirst wanted to create. The shark cost Hirst £6,000 [4] and the total cost of the work was £50,000. [5] Hirst asked Doris Lockhart for a loan to cover the cost of shipping the shark from Australia, but she gave him the required amount.
Damien Steven Hirst (/ h ɜːr s t /; né Brennan; born 7 June 1965) is an English artist and art collector. [1] ... In 2003, under the title A Dead Shark Isn't Art, ...
Saatchi put on a series of shows called Young British Artists starting in 1992, when a noted exhibit was Damien Hirst's "shark" (The Physical Impossibility of Death in the Mind of Someone Living), which became the iconic work of British art in the 1990s, [15] and the symbol of Britart worldwide. [16]
A Dead Shark Isn't Art, Stuckism International, 2003. On 17 April 2003, when the Saatchi Gallery opened in new premises at County Hall with a display of Damien Hirst's work, including The Physical Impossibility of Death in the Mind of Someone Living (a shark in formaldehyde in
(110 are in the catalogue, with differences between that and the exhibition checklist.) [3] Many of the pieces had already become famous, or notorious, with the British public (for example, Damien Hirst's shark suspended in formaldehyde titled The Physical Impossibility of Death in the Mind of Someone Living, Tracey Emin's tent titled Everyone ...
In 2003, under the title A Dead Shark Isn't Art, the gallery exhibited a shark which had first been put on public display in 1989 (two years before Damien Hirst's) by Eddie Saunders in his Shoreditch shop, JD Electrical Supplies. It was suggested that Hirst may have seen this and copied it. [28]
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Momart (for not having the Shark and the Bed in their warehouse) Damien Hirst (for wasting his money buying work by Damien Hirst), Charles Saatchi (for copying the Stuckists' ideas five years afterwards) Stella Vine (for numerous reasons) The Prize is a custard pie which the winner is entitled to purchase and push into their own face. [22]
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