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On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and response ear training dictations, either alone or in ...
The bass pattern is an arpeggiation in the sense that its middle note (V) first arises as the fifth of the elaborated chord (I), of which it is the upper-fifth divider. [3] It is only when it meets with the passing note of the fundamental line that V becomes an independent chord within the first one. [ 4 ]
The fundamental line (German: Urlinie) is the melodic aspect of the Fundamental structure , "a stepwise descent from one of the triad notes to the tonic" with the bass arpeggiation being the harmonic aspect. [3] The fundamental line fills in the spaces created by the descending arpeggiation of the tonic triad.
Racing is part of regular music as well. "Accelerando” and “stringendo” are terms used to indicate to the player that the piece is to pick up steam. Music that races can also quicken the pulse.
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"The background in music is represented by a contrapuntal structure which I have designated the fundamental structure". [9] It consists in the fundamental line counterpointed by the bass arpeggiation , together forming a counterpoint of the outer lines ( German : Außensatz ).
Free Composition, Example 4. Fundamental line in relation to the tonic triad. The possible primary tones are shown as whole notes: , or . The minimal fundamental structure. Primary tone: . Play ⓘ. In Schenkerian analysis, the primary tone or head tone (German: Kopfton) is the starting tone of the fundamental line. The fundamental line itself ...
John Butt has argued that figured bass is an instance of "purposely incomplete" notation conferring a positive advantage. [18] Accompaniments improvised from a figured bass line can be made to suit varying circumstances e.g. tempi, instrumentation, and even the hall acoustics.