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Chinese musicology is the academic study of traditional Chinese music. This discipline has a very long history. This discipline has a very long history. Traditional Chinese music can be traced back to around 8,000 years ago during the Neolithic age.
The tune has been adapted and referenced in "various traditional Chinese and international music concert circuits, concerts by pop bands and solo singers, scholarly debates, new choral arrangements, and state-sponsored events as an emblem of national pride" [10] and has been called a "significant national musical and cultural icon" of China ...
Chinese traditional music includes various music genres which have been inherited for generations in China. [1] Specifically, this term refers to the music genres originated in or before Qing dynasty. [2] According to the appearance, the genres can be classified into instrumental ensemble, instrumental solo, theatre, shuochang, dance music and ...
Jiangnan is the traditional name for the area south of the lower reaches of the Yangtze river in southern Jiangsu, Shanghai, and northern Zhejiang. Sizhu , literally "silk and bamboo", refers to string and wind musical instruments, silk being the traditional material from which strings have historically been made in China, and bamboo being the ...
Shidaiqu music is rooted in both traditional Chinese folk music and the introduction of Western jazz during the years when Shanghai was under the Shanghai International Settlement. In the 1920s the intellectual elite in Shanghai and Beijing embraced the influx of Western music and movies that entered through trade. [ 5 ]
Yayue (Chinese: 雅樂; lit. 'elegant music') was a form of classical music and dance performed at the royal court and temples in ancient China. The basic conventions of yayue were established in the Western Zhou.
In the early 20th century, the term guoyue was widely used to distinguish between imported Western music and traditional Chinese music. It therefore included all Han Chinese music but excluded anything written for Western instruments. [3] In its broadest sense it includes all Chinese instrumental music, opera, regional folk genres, and solo pieces.
Record of Music (Chinese: 樂記; pinyin: Yuè Jì) is the 19th chapter of the Book of Rites. It constitutes the grounds for reconstruction of the lost Classic of Music 樂經. The authorship of the Yueji is a matter of debate.