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A folk-art allegorical map based on Matthew 7:13–14 Bible Gateway by the woodcutter Georgin François in 1825. The Hebrew phrase לא־תעזב נפשׁי לשׁאול ("you will not abandon my soul to Sheol") in Psalm 16:10 is quoted in the Koine Greek New Testament, Acts 2:27 as οὐκ ἐγκαταλείψεις τὴν ψυχήν μου εἰς ᾅδου ("you will not abandon my soul ...
The Bosom of Abraham, Romanesque capital from the former Priory of Alspach, Alsace.(Unterlinden Museum, Colmar)The Bosom of Abraham refers to the place of comfort in the biblical Sheol (or Hades in the Greek Septuagint version of the Hebrew scriptures from around 200 BC, and therefore so described in the New Testament) [1] where the righteous dead await Judgment Day.
In Judaism, bible hermeneutics notably uses midrash, a Jewish method of interpreting the Hebrew Bible and the rules which structure the Jewish laws. [1] The early allegorizing trait in the interpretation of the Hebrew Bible figures prominently in the massive oeuvre of a prominent Hellenized Jew of Alexandria, Philo Judaeus, whose allegorical reading of the Septuagint synthesized the ...
A relief uncovered near Lerna portrays an altar, to the left of which stands Demeter, to the right stand Chrysanthis, her husband Mysius, and two maidens presumed to be their daughters. [2] Mysius is otherwise known as a native of Argos who offered hospitality to Demeter and dedicated a sanctuary to her, from which circumstance the goddess ...
The Shade of Tiresias Appearing to Odysseus during the Sacrifice (c. 1780–85), painting by Johann Heinrich Füssli, showing a scene from Book Ten of the Odyssey. In poetry and literature, a shade (translating Greek σκιά, [1] Latin umbra [2]) is the spirit or ghost of a dead person, residing in the underworld.
The trip to the underworld is a mytheme of comparative mythology found in a diverse number of religions from around the world. [1] The hero or upper-world deity journeys to the underworld or to the land of the dead and returns.
Aspect is a term used across several religions and in theology to describe a particular manifestation or conception of a deity or other divine being. Depending on the religion, these might be disjoint or overlapping parts, or methods of perceiving or conceptualizing the deity in a particular context.
The four approaches within its name are the 'four which entered into the orchard,' i.e. peshat and remez and derasha and sod," [1] while a slightly different version appears twice in the New Zohar: "The pardes of the bible is a compound of peshata and re'ia and derasha and sod."